![]() ![]() It doesn’t help that after a tantalizing glimpse of a body-strewn battlefield that teases a more action-packed narrative than is delivered, the film quickly settles into a more sedate rhythm, establishing the wise statesmanship of Queen Margrete (Trine Dyrholm). The slower stretches - like the entire first hour - have a tendency to plod, which gives ample opportunity to feast your eyes on Søren Schwarzberg’s grandly gloomy production design and Manon Rasmussen’s superb, elaborate costuming, but also makes the story rather too easy to disengage from. ![]() However the “Game of Thrones” comparison also has its downside: Where the show excelled in keeping multiple plotlines running concurrently so even the simplest scene felt rife with subcutaneous intrigue, “Margrete” follows one storyline with dedicated, occasionally leaden fidelity, proceeding at a pace that might be appropriate in a 20-hour season of television, but that feels unusually indulgent in a feature film. Martin will have their itch lightly scratched by the courtly power-plays, passageway mutterings and spies-in-the-bedchamber aspects of Sieling’s well-upholstered film, even if dragons and ice zombies are notable by their absence. And that’s not necessarily a bad thing - anyone missing their weekly dose of sumptuously recreated George R. The shadow of a certain massively popular fantasy television show looms large over Charlotte Sieling’s “Margrete: Queen of the North,” a glossy period drama that amounts to a what-if expansion on an incident from medieval Scandinavian history. ![]()
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